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《吳冠中藝術(shù)回顧展》精品欣賞之八
- 時(shí)間：2005/9/10 12:11:49
 碧玉不雕 39×39cm 油彩
云南騰沖，鄰進(jìn)緬甸，有許多商店，專(zhuān)賣(mài)緬甸玉制作的碧玉翡翠首飾，店店毗鄰成街，街街交錯(cuò)成市——玉器市場(chǎng)。市場(chǎng)甚熱鬧，我也被卷入。我看到那些精雕細(xì)琢的珍貴飾品，或佛像，或瑞獸，無(wú)論體形大小，大都很丑，刻意求形，卻與造型藝術(shù)無(wú)緣，是對(duì)造型藝術(shù)的嘲弄，當(dāng)遭造型藝術(shù)的唾棄。后遇到專(zhuān)賣(mài)玉石原材料的市場(chǎng)，成批未加工的玉石，有的玉石還鑲嵌在粗石中，待剝?nèi) Ｄ切┯袷馁|(zhì)感和色感甚美，未定形的質(zhì)感美和色感美令人驚喜，嘆造化之神工，愿碧玉不雕。
Carve-less Jasper
39×39cm
Oil
Yunnan’s Tengchong is near to Burma. There are many stores there, which specially sell jasper and emerald ornaments made of Burmese jade. Every store is close to one another and lines into a street; every street is across each other and composes a market - the jade article market. The market was so bustling with noise and excitement that involved me into it. I saw those exquisite precious ornaments: figure of Buddha, auspicious beasts and the like. Whatever the shape and size, most of them are ugly. They pursued the shapes on purpose; however, they were far away from the mould arts, and moreover, they were the derisions to the mould arts and should be renounced by the mould arts. Later, when I came across the market which specially sells the original material of jades with serial un-produced jades, some of which were still inlaid in the rubbles, waiting for division. The feelings of textures and colors of those jades were excellent. The unshaped beauty of textures and colors made me feel excited. I appreciate the Nature’s marvelous works and wish the jaspers carve-less.
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