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《吳冠中藝術(shù)回顧展》精品欣賞之七
- 時(shí)間：2005/9/10 11:57:37
 - 都市之戀 85×100cm 油彩
現(xiàn)實(shí)世界中萬(wàn)象的形與色是一個(gè)整體，不可剝離。古代杰出的繪畫(huà)作品既嚴(yán)謹(jǐn)于形，又力求色之穩(wěn)妥，四平八穩(wěn)，面面俱到。近代人生活多樣，感情奔放，審美的要求隨之大大展拓，于是對(duì)形、色、構(gòu)成、韻律……蘿卜青菜，各有偏好。畫(huà)道萬(wàn)千，如各人心目之異，且情緒又隨時(shí)起伏。《清明上河圖》的圖式都市，已成其時(shí)代的絕唱，今日新城，五彩繽紛，城之戀多半體現(xiàn)在線之戀及色塊之戀中，這幅《都市之戀》拜倒于色塊之石榴裙下。
Love in the City
85×100cm
Oil
In the real world, the shapes and the colors of every phenomenon on earth are a unity, and thus cannot be divided. The outstanding ancient paintings not only kept strictly to the shapes, but also made great effort to make the colors stable and firm in all aspects and attend in every way. People in modern times had many kinds of living styles, and glowed with enthusiasm. Along with that, their needs of appreciation unfolded and developed greatly. Therefore, as to shape, color, structure and rhythm... each follows his own bent. The various ways of painting differ as varied men and their undulate sensations. The pictorial city in the painting "At the Bian River in Qing Ming" has become the last remains of its times. Today’s new city is multicolored, thus the love in the city lies mostly in the love of lines and the love of color masses. This painting, Love in the City, is submissive to the color masses.
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