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愛物瑣記—— 一瞥即忘蓄心愁
- 時間：2010/10/23 1:45:45 文章來源：張振宇
 這段時間大多時候是請朋友們“吃中餐”，偶換三回“西餐”(味道應(yīng)不錯吧)，為“西菜中做”，師傅是本土的。今天我們換個口味，嘗嘗法國師傅做的純正“法式大餐”，因該師傅于“好吃的圈子里”全世界都家喻戶曉，大家無異品的就是“世界名廚”做的“世界大餐”，如此越界薦“吃”，希望大家好口味。
從事油畫工作的朋友們一定知道柯羅，其不屬于杰出的主張回歸自然、擅寫法國鄉(xiāng)村風景的巴比松畫派，卻像趙孟頫那樣不在“元四家”之列又高于“元四家”。他的繪畫集古典、浪漫、現(xiàn)實三種主義于一身，且?guī)в杏∠笾?，因此對后世的印象派（莫奈為代表），和后印象派（塞尚為代表?的發(fā)展產(chǎn)生了極大的影響。
本幅風景之美似花事進行最酣那一刻；如風和麗日教時針永遠停止，乃柯羅成熟的晚期風格（即被公認為典型柯羅風格）代表作。君不見畫中那營以薄霧般的光色，催生了極美的空氣感，使得靜謐除卻了人工的痕跡，世界這一刻能讓人真實的感動于詩般的和諧，心靈瞬間沒有了煩憂，遠離了一切的紛擾……..
盧德卿之子張振宇2010.10.22夜 偷得晚餐那一刻而寫
柯羅（法國 1796—1875） 《水邊的勞作》局部之一
局部之二
Desiderare Miscellus ----- A Glimpse to Forget the Ceaseless Woe
Over the past I have treated friends with “Chinese cuisine”, nonetheless, some changes (Western cuisine) once in a while should be nice! With local chef, we shall enjoy “Western cuisine the Chinese way”. With a different taste today, let’s try the “French banquet” by the genuine French master. This mater in the “gourmet’s circle” is world-renowned. The delicacy presented is no doubt, “the exotic banquet” by “the prestigious chef”, a crossover recommendation. Bon appetite!
Those of you who are familiar with oil paintings must not find the name Corot strange. His subtle notion of returning to nature; known for depicting the French countryside scenery at the school of Barbizon is parallel to Zhao Mengfu’s relationship to the “Four Masters of the Yuan Dynasty”, while he might not be recognized as much, he certainly transcended those who were. Corot’s paintings show a combination of Classicism, Romanticism, and Realism with a hint of Impressionism; therefore, it is evident of that in which Impressionism (Monet especially) and Post-Impressionism (Cézanne especially) were heavily influenced by his style.
The beauty of this landscape is like the sweetest moment of the blossom, like the sunny sky froze in eternity; is Corot’s matured style toward the end of his career. (A classic Corot and iconic work.) The mist like light, intangible by the naked eye, gives life to an air-lightness of ultimate beauty; the silence without artificial trails in the “microcosm” of this reality truly touches the audience with poetic harmony. The soul rendered suddenly without burden, away from secular distress……
Zhang Zhenyu, Dinner, 2010.10.22
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