　　白洞，是宇宙中一個未知的能量場，與黑洞吸收外部能量不同，它向外部發(fā)射著物質(zhì)與能量。白洞宇宙觀，是一群載著虛無的夢想和物質(zhì)的現(xiàn)實(shí)的團(tuán)隊(duì)，如何進(jìn)行搏斗與共融的精神世界。用想象力創(chuàng)造全新的認(rèn)知，以及去探索力不能及的未知。第一季中，“繞繞線”是展覽呈現(xiàn)的主體語言，成為實(shí)現(xiàn)夢境與想象力的場域化工具。共同體驗(yàn)“白洞”進(jìn)行時，纏繞在空間內(nèi)繞來繞去的線索。

A white hole is an unknown energy field in the universe. Compared to the black hole that absorbs eternal energy, it emits energy and matter to the outside. The white hole cosmology presents a spiritual world where a group of dreamers of nothingness and material wrestles and communes. They use imagination to create new perceptions and to explore the unknown beyond their reach. In the first season of exhibitions, the “crawling lines” are the main language and have become a localized tool to realize dreams and imagination. While experiencing the “white hole” in progress, we are entangled in the coiling clues in the space.

　　在蘭一看來，植物包含萬物的一切，這一切并非一成不變，它會隨著外部的影響而改變自己的形態(tài)?！袄@繞線”在描述的世界，在全新的場域化的設(shè)置中，以荒誕的形式出沒于現(xiàn)實(shí)。蘭一作為局外人，記錄著夢中細(xì)膩的情感記憶，素材化的想象，并非瞬間消失不見，成為蘭一感知的現(xiàn)場，從未離開過他的身體。

In CALALAN’s view, plants encompass everything, which is not static but changes its form according to external influences. The world described by “crawling lines” is set up in a new field, appearing in an absurd form. As an outsider, the artist has recorded his delicate emotional memories of dreams, and the materialized imagination which is not ephemeral but has turned into the scene of his perception that never leaves his body.

　　回到現(xiàn)實(shí)，蘭一用“繞繞線”將夢境歸納到植物的“身體”，由植物繪制出的神秘和夢幻發(fā)出聲響。碩大的植物雕塑，在蘭一的想象力中，抹去了這個星球之上可識別的樣式和生命體征，“繞繞線”纏裹出的神秘視感，隨著向上的攀沿，似乎通往宇宙的一條通道，向太空發(fā)射著某種密碼與信號，呼喚著另一種生命體的到來。觀眾被帶入了全新的場域，蘭一和“繞繞線”塑造的場域化藝術(shù)，歡迎來到新世界。

Back to reality, CALALAN has condensed his dreams and implanted them into the “body” of plants with the help of “crawling lines”. The mysterious and dreamy plants are murmuring. The gigantic plant sculpture in the artist’s imagination is deprived of the recognizable patterns and signs of life on this planet. With a mystical look, the “crawling lines” seem to open a passage to the universe as they climb upward, sending some code or signal to space, and calling for the arrival of extraterrestrial life. The audience is guided and welcomed to an untouched field, a brand new art world shaped by CALALAN and his “crawling lines”.

蘭一

　　藝術(shù)家，CALACALA藝術(shù)、白洞畫廊聯(lián)合創(chuàng)始人

　　四川美術(shù)學(xué)院油畫專業(yè)及法國BESANCON高等美術(shù)學(xué)院空間物體造型專業(yè)畢業(yè)

　　在法國、韓國、中國、東南亞等多次舉辦個展和聯(lián)展

　　與2022北京冬奧會、施華洛世奇、舍得等跨界合作

　　個人官網(wǎng)：www.calalan.com

The Queen 200x300cm 布面綜合材料 2021 The Queen | Comprehensive materials on canvas

（左）蘭一的樹之鱗片肌膚 350x110cm 綜合材料 2021 CALALAN’s Tree-Skin and Scales | Comprehensive materials （中）"蘭一的樹之洞穴肉身 350x160cm 綜合材料 2021 CALALAN’s Tree-Cave and Fleshs | Comprehensive materials" （右）"蘭一的樹之腦體 350x136cm 綜合材料 2021 CALALAN’s Tree-Brain | Comprehensive materials"

The Queen 200x300cm 布面綜合材料 2021 The Queen | Comprehensive materials on canvas

北京

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